Denim and shirting styles are manufactured in Australia by factories with socially responsible and ethical practices, while specialised knitwear is made in a boutique factory in China. For example, Esse’s denim, sourced from Italy, is yarn-dyed naturally using the leaves of the Indigofera plant and their premium cotton, used in their quintessential range of cotton shirts, is also derived from quality suppliers in Italy. The endurance of each Esse garment is paramount to the brand’s sustainability pledge, as is their commitment to sourcing high quality, low impact fabrics and manufacturing them locally. From here, the idea became that with every edition, you could build on the last, styling new garments with previous collections in a way that reinvigorates past purchases. The wastefulness and thoughtless speed of fashion were initial motivators to develop a brand that embraces small capsule collections, slow release editions and seasonless fashion, and it is an authentic exploration of what fashion really means to consumers and how to return to the basic functionality of clothes and style, unbound by seasons and trends, that inspires Esse.įusing functionality with a timeless aesthetic helped Hicks develop Esse’s first capsule collection, appropriately christened the “non-negotiables”. Hicks first started exploring sustainable fashion five years ago, sharing that for her, sustainability has never been just a buzzword. But, ultimately, she felt called to personal pursuits, and so her ethical label Esse Studios was conceived and launched in 2017. A new ESSE style in the cotton-crepe story.Sleek off shoulder silhouette made from form-fitting stretch jersey, paired with with a full gathered cotton skirt. She speaks with a genuine affection about the formative years of her career, reflecting on the invaluable aspects of the industry it exposed her to: commercial, product and design. Hicks had forged a solid career in the fashion industry before launching Esse, graduating with a Bachelor of Design from the University of Technology Sydney with honours before working the better part of a decade with global industry leaders, including Sass and Bide. “There was so much waste, on a lot of fronts, obviously environmentally, but also so much work was being lost, so much creative energy diverted into getting stuff done quickly.” “I didn’t like the pace…It was just about more and more for the sake of more,” Hicks says in hindsight. Then again, her feelings of frustration, witnessed over a decade-long period, do offer the best explanation for Esse Studios’ creation and Hicks’ antithetical attitude towards traditional fashion production.
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